TY  - BOOK
AU  - 
AU  - 
ED  - SpringerLink (Online service)
TI  - Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies 
T2  - Computer Supported Cooperative Work,
SN  - 9781402040979
AV  - QA75.5-76.95 
U1  - 004 23
PY  - 2006///
CY  - Dordrecht
PB  - Springer Netherlands
KW  - Computer science
KW  - Architectural design
KW  - Music
KW  - Sociology
KW  - Computer Science
KW  - Computer Science, general
KW  - User Interfaces and Human Computer Interaction
KW  - Interaction Design
KW  - Personality & Social Psychology
N1  - Consuming Music Together: Introduction and Overview -- Music and Emotion in Real Time -- Sharing Music -- Sharing and Listening to Music -- Social Practices Around Itunes -- Choosing Music -- Distributing the Process of Music Choice in Public Spaces -- Promoting Social Interaction in Public Spaces: The Flytrap Active Environment -- Mobile Music -- Investigating the Culture of Mobile Listening: From Walkman to iPod -- Tuna: Socialising Music Sharing on the Move -- Car Drivers Using Sound Pryer - Joint Music Listening in Traffic Encounters -- Music and Dance -- Digital Dance Hall: The Fan Culture of Dance Simulation Arcade Games -- ǣSort Drugs Make Matesǥ: The Use and Meaning of Mobiles in Dance Music Club Culture -- hpDJ: An Automated DJ with Floorshow Feedback -- Consumption as Production -- Interaction, Experience and the Future of Music -- Hail to the Thief: The Appropriation of Music in the Digital Age; ZDB-2-SCS
N2  - Listening to, buying and sharing music is an immensely important part of everyday life. Yet recent technological developments are increasingly changing how we use and consume music. This book collects together the most recent studies of music consumption, and new developments in music technology. It combines the perspectives of both social scientists and technology designers, uncovering how new music technologies are actually being used, along with discussions of new music technologies still in development. With a specific focus on the social nature of music, the book breaks new ground in bringing together discussions of both the social and technological aspects of music use. Chapters cover topics such as the use of the iPod, music technologies which encourage social interaction in public places, and music sharing on the internet. A valuable collection for anyone concerned with the future of music technology, this book will be of particular interest to those designing new music technologies, those working in the music industry, along with students of music and new technology
UR  - http://dx.doi.org/10.1007/1-4020-4097-0
ER  -